This is a portion of the long petroglyph mural that was discovered just to the South of the
Purgatory River in the Oklahoma panhandle. The petroglyph was chalked by professor Weisendanger and his
associates from Tulsa University in the 1940s, and then photographed in black and white
from a large negative. The only surviving print is in the "No Man's Land Museum" in Goodwell,
Oklahoma, pictured at the bottom of this page.
This section represents about five feet of a carefully executed narrative, reading from right to
left, which runs about 70 feet in total length. Areas of the petroglyph were worn with age and
water erosion and were not chalked. But what is enhanced is clear enough to translate, and the
results are reproduced here for scrutiny.
One of the many curious observations that we have been able to make concerns the arrangement
of multiple concentric circles. At first, we did not imagine these as ligatures. The arrangement
has been shown to result in meaningful translations when taken as a double-Tsadeh ligature. Some
examples of the concentric circle ligatures can be seen in these petroglyphs.
NTN = "give, allow, let..." (A)YL ="...the leader, ram..." L[horizontal]= preposition
"to, for, of, from..." AR = "...light..." LN ="...to pray..."
The last LN segment appears to be part of a longer ligature; however, a section of
uncarved rock breaks this ligature from the adjoining one while maintaining an illusion of
design continuity.
BY = "...entreating, invoking..." AL ="EL (God)" SLS = "...the serpent..."
LR ="to be attentive, to take notice..." L[horizontal]= preposition "to, for, of,
from..." SN ="tongue, language..." V ="and" TsTs ="to appear, blossom, emerge..."
This could possibly be a reference or prohibition against using the name of the God, "El" or "Yah,"
in vain because it also allows the "serpent" to be invoked. More translations of the wall could
provide some further explanation.
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